Kindle sci-fi and fantasy bestsellers

We had a request to follow up on what's happening with the Amazon Kindle's spec fiction bestseller lists. It is three months to the day I posted about the front runners at the Kindle's launch, so it seems like a good time take another look.

In science fiction, classics continue to dominate the top sellers, with Vonnegut's Slaughterhouse Five occupying the number one slot, and Orwell's 1984 right behind at second. In November these two classics rated in the top 300 of overall Kindle sales, and both have now moved up to around the top 200 in Kindle sales. Video game tie-ins have given way to the newest military SF by Nebula winner Elizabeth Moon, and yet another science fiction classic, Brave New World.

In fantasy, Gregory Maguire's Wicked continues to hold its own near the top of the bestseller list. Wicked has fallen from #1 to #2 in fantasy, and has fallen from the top 150 to the top 250 in Kindle's overall sales. Number three in fantasy is World War Z: An Oral History of the Zombie War by Max Brooks, and number four is Gaiman's Stardust.

Here's an interesting piece of zeitgeist: the stunning success of the Dresden Files series on the spec fiction Kindle bestseller lists. Author Jim Butcher's Storm Front occupies the number 4 slot in science fiction and the number 5 slot in fantasy. Not only that, his White Night: A Novel of the Dresden Files is number one in fantasy. Not too shabby.

In horror, King continues to dominate, with three of the top five bestsellers. King's novels alternate with books by Kim Harrison.

The Taste of Tea

I've been having a lot of fun watching Japanese films. I'd begun to see a few themes emerge (life in Tokyo vs. rural life, connection with nature, connection with community, and, unexpected to me, a fascination with music and dance). Then I popped Cha no Aji (The Taste of Tea) into the DVD player and was dropped into a whole new experience of Japanese culture.

In a way The Taste of Tea was more what I was expecting out of a Japanese film: characters who are anime artists, bizarre events of the type I'd expect to see animated in a manga. When these fantastic elements are combined with an exploration of what it means to be human, the result is a film that can look at disappointment and loss with a gentle playfulness.

I had heard The Taste of Tea called a "surreal" version of Ingmar Bergman. Maybe its the last vestiges of my Midwestern upbringing, but I'd say Bergman has his own claim to surreal. I'd call the Taste of Tea a "happy" Bergman. It's an oversimplification, but where Bergman plays with his idea of what it means to be human on the dramatic stage of the creepy and macabre, The Taste of Tea approaches the same theme with childlike excess and humorous fantasy.

Who is Dagny Taggart?: a love story

It took me a long time to read Atlas Shrugged- no surprise, since Wikipedia counts it at 645,000 words. It also took awhile for me to shake out of the polarized morality of Ayn Rand's world and get a grip on what I'd read.

Atlas Shrugged is a romance novel. Set aside what you've heard about Rand's philosophical masterpiece and look at the protagonist's path. Our beautiful young heroine, Dagny Taggart, is torn between her ardent lovers. All three men want her desperately. But when Dagny first encounters the man of her dreams, she swoons, and he holds her in his arms and gently carries her to his bed.

The difference between Atlas Shrugged and the typical Harlequin romance, is that Dagney runs a railroad. Dagney's profession isn't just a way to get our heroine into a demure gray suit that she sheds to show her stunning sexuality in a black party dress (although that does happen). And her profession is not meant to later attest to what's "really important" to her (ie., her femininity and role as a lover and wife). In fact, Dagney's profession is so intrinsically bound to her personality, her character, her essence, that Dagney is her profession. What's more, the men who fall at her feet, one by one, are in love with her precisely because she embodies the spirit of competence and professionalism.

Turns out Dagney embodies one more important ideal, the ideal beyond Objectivism that lies at the heart of the book: Dagney represents the potential of the individual to love herself.

The magic of Atlas Shrugged is the fact that Rand was able to embody her ideal in her main character, and at the same time, make that protagonist so human, so real, so worthy of the reader's understanding and compassion. Dagney's journey is the journey of coming to embrace the ideal of self-love, and at the same time, she has always been the ideal. It's beautiful and skillful writing.

Unfortunately, as Rand builds to the climax of the novel, she devolves into droning, boring exposition, in which Galt gives a speech to extemporize Rand's philosophy (Wikipedia counts this dreadful speech at 56 pages long, and though Wikipedia mentioned Atlas Shrugged is one of the longest novels ever written, it fails to mention this is one of the longest chunks of exposition anyone has ever been forced to read). Rand's attempt to explain her philosophy in prose deadens the innate feeling of "rightness" she had cultivated in the reader by simply following Dagney's journey. This made the ending of the book resonate a bit less for me. But the self-discovery journey in which Dagney learns what she is truly worth, learns that she is Love, was intense and captivating.