Friday, December 26, 2008

2046


The first thing that struck me about the film 2046 was that it kept switching between Chinese and Japanese. I understand just enough Japanese to know when I'm hearing it, and for a moment I was really confused as the actors hopped from one language to another. It turns out the film takes place in 1960's Hong Kong, and the languages do indeed swirl around between Japanese, Mandarin, and Cantonese.

The language confusion was just the beginning of the dream-like, slightly confusing experience of watching 2046.

Spec fiction fans will understand perfectly when I say that although it is not a sequel, 2046 does share the same fictional universe created by Wong Kar-wai in two of his previous films. It's a little harder to explain how the sci-fi element fits into the picture. 2046 actually looks back in time, yet the reveries of its protagonist are filled with femme-fatale androids and a train which, once boarded, becomes almost impossible to escape.

2046 is a gorgeous film. The cinematography is only matched by the music, which is haunting, appropriate, and so thematic as to become a major part of the storytelling. The acting is also superb. Ziyi Zhang, an actress I've mentioned before (see my review of The Road Home) is involved in one of the more deeply explored liaisons with the leading man, played by Tony Leung Chiu Wai.

2046 wasn't created from a polished Hollywood-style script, in which conflict and character are artfully balanced to take the viewer on a digestible hero's journey. Wong Kar-wai seems to be more interested in creating an atmosphere, a mood linked to time, place, and circumstance, in which the viewer becomes intimately involved with the characters. Almost any element of the film could stand on its own to tell the story- the dialog, the acting, the camera shots, the lush soundtrack. And when all these elements come together, complementing one another, the viewer ends up not just with a film, but with an experience.

Wednesday, December 24, 2008

Merry Christmas from Chiron Beta Prime


Where we're working in a mine
For our robot overlords
Did I say "overlords"? I meant "protectors"


-Jonathan Coulton

You may already know Jonathan Coulton from his famous song "Still Alive" at the end of the Orange Box video game. Or you may know "Code Monkey," theme song for the animated TV show of the same name. If you don't know Coulton, let me introduce you. He's a real treat for spec fiction fans and music fans, alike.

Coulton writes decent melodies and has a decent voice. But I wouldn't be blogging about him if it weren't for his lyrics, because the lyrics are where he really shines. I can listen to his songs over and over, because the disarming tunes do such a fantastic job of highlighting the lyrics- most of which never fail to make me laugh. Coulton writes songs about being a programmer, being a husband, and the drudgery of office life. But sometimes he puts a fun spec fictional twist to the tune, as in "Chiron Beta Prime" and, my personal favorite Coulton song, "Re: Your Brains," in which a zombie supervisor attempts to negotiate with the surviving human workers barricaded inside their office building.

Merry Christmas from Chiron Beta Prime!

Thursday, December 18, 2008

Twilight- Does it Suck?


A few weeks ago, when I saw Stephenie Meyer's Twilight Saga series books topping the Kindle bestseller list (including fiction and nonfiction!) with only the president elect's books as company, I decided I had to try the series. Today as I write, Meyer has four of the top five bestsellers on the Kindle's bestseller list. The author is also topping out Kindle bestsellers in Science Fiction, Fantasy, and Children's Chapter books.

This last category is what I really want to focus on today. Young adult genre fiction has made a big splash in the adult market. As I read Book 1 of the Twilight series, I was watching to see how this young adult vampire romance would appeal to a more mature audience. Based on the sales ranks, it's hard to believe grown-ups aren't participating in the series' success.

I've rubbed die-hard fans the wrong way in the past when I don't emphasize where I'm coming from in a review about a much-loved author or series, so here are a couple of caveats:
  1. The only book I have ever read by the author is Twilight Book 1. All my comments are related to this book, alone.
  2. I haven't seen the movie.
  3. If you're a young adult reader, please have tons of fun with this series, and don't bother reading further. This review deals with the book's appeal to adults.
  4. There are some spoilers below.
When I downloaded the first chapter of Book 1, I was impressed. The beginning of the novel does a great job setting up the protagonist's situation and introducing character and setting, all the while keeping the reader intrigued with a sense of mystery as the protagonist is inducted into the world of the occult. I am embarrassed to say that despite being fluent in Italian, I skipped right over the obvious hint of the protagonists name (Bella, Italian for beautiful) and bought into the fact that she was a clumsy, pale, not particularly attractive teenage girl. The voice was so genuine, so down-to-earth, that I believed the unreliable narrator. That alone earns Meyer my genuine kudos.

But, of course, Bella is actually drop-dead gorgeous- and lives out the teenage girl's fantasy of discovering she is not ugly, but instead the boys at her new school are practically brawling for her affections. As an adult reader I was a little disappointed at this point. I was all set for a book in which the not-so-pretty heroine is swept off her feet by the handsome vamp because he's that attracted to her unique smell, and could care less about her physical charms. Meyer didn't choose to go this route, but she did keep beautiful Bella so clumsy as to make me feel like a ballerina. So I kept reading.

There followed some actual interesting mythology- the slow revelation of Meyer's take on vampire lore, and setting up a rivalry between the local vampires and the tribal clan of werewolves native to the region. Meyer had given enough seeds for a promising spec fiction world, and her writing style was holding up with a good balance of decently-crafted prose and narrative warmth.

Then the mystery between Bella and her vamp boyfriend dissolved, and with it, a lot of my interest. There is a portion in the middle of the book in which the only tension is a sort of virginal romantic anticipation of a relationship between Bella and her boyfriend. This section involves a lot of swooning, dizziness, and collapsing into vamp boyfriend's arms- and as readers, we had already been subjected to a lot of swooning and being carried to safety in previous chapters. All that fainting was getting a little repetitive. The only thing keeping this portion of the novel afloat for the adult reader is the ominous suggestion that Bella's "number is up," that she seems to be in constant danger of death, a danger from which only her vamp boyfriend can defend her. Of course, it is just as likely vamp boyfriend will lose control, and be the cause of Bella's death, himself. That conflict was just enough to carry me through the multiple swoons.

The final third of the book involves a prolonged action scene, in which we get to meet a bunch of other vampires, and Bella proves herself to be more than just a pretty face, but an excellent strategist, as well. Bella's character development by the end of the book shows promise for new adventure in the rest of the series, but if the book were simply a stand alone, her character arc would not have been completely satisfying.

Book 1 ends with a high school prom, Bella dancing with her vampire date. The scene mirrors one of my favorite scenes in the Buffy the Vampire Slayer television series. Comparing the two teenage vamp romances, there is no doubt that Twilight Book 1 offers less appeal for adults than Buffy. In the Buffyverse we get a lot of action and adventure, with corny moments of romance that are sweet in the context of the world and well-developed characters. Without the contrasting high stakes in both action-adventure and character conflict, Twilight's corny romantic moments come off, well, a little corny.

There is a definite kernel of promise in Twilight Book 1, characters and situations that could produce fun stories. I was impressed enough that I'd try Book 2. Whether or not I go on to Book 3 will all depend on Bella, where Meyer is willing to take her protagonist in this romantic, young adult series.

Monday, December 15, 2008

The Wordy Shipmates


Sarah Vowell's endearing obsession with American history brings us another fun read. The Wordy Shipmates delves into the story of the "other Puritans-" the ones no one cares about because they didn't come over on the Mayflower or land at Plymouth Rock.

As always, by the end of the book, Vowell's infectious enthusiasm for her subject has not only spread to her reader, but she has made relevant and sometimes startling connections between events of the past and what is happening today. By delving into the history of the Massachusetts Bay Colony, Vowell shares her personal thrills and chills at John Winthrop's metaphor of the "city upon a hill," and examines the heights and depths to which this sparkling ideal has led her nation.

Wednesday, December 03, 2008

The Graveyard Book- Hauntingly Beautiful


Neil Gaiman's latest release was everything I love about Gaiman. It was charming, but a little creepy- quaintly British, yet flesh and blood modern- and the illustrations (by Dave McKean) were magical. How could a black and white drawing of a cup of tea send chills down my spine? Yet McKean's steaming cup did just that, and did it for a reason.

Gaiman's storytelling was no less artful than McKean's drawing. Gaiman built a magical world with very specific rules, and those rules stayed firm throughout the tale, whether to help the protagonist, or to send him toward an almost certain death. Gaiman's skill and attention to detail make for a very satisfying read.

A note for art conisseurs- if you intend to read The Graveyard Book on the Kindle, download the free sample chapter to be sure you are satisfied with the rendition of the drawings. I found that the grey, slightly ethereal drawings as viewed on the Kindle added to the atmosphere of mystery, but some may prefer a paper copy for clearer, darker illustrations.