Tuesday, September 12, 2006

Toward the End of Time

I love the cover of this book: the terra-cotta bust of a man, facial features just beginning to crumble and erode. The cover suggests the earthy, human nature of Updike's 1997 offering, and hints at the philosophy within. What it does not indicate is that Toward the End of Time is actually a spec fiction novel. Phoebe-Lou Adams of the Atlantic Monthly identifies three speculative elements to the narrative: future fantasy, science fiction, and magical realism.

Here's the future fantasy angle: Updike asks what American life would be like if the U.S. lost a major war with China. The answer seems to be "not that different from what it is today," provided you live in the American Northeast. The year is 2020. The dollar is gone, the federal government is hiding. But that tireless American spirit of get up and go has caused locals to organize local monetary systems. Freelancers of varying respectability take protection money to keep the area safe so that people can go to work and children can go to school. For retired investment adviser, Ben Turnbull, normal life means helping his second wife tend the garden, infrequent visits with his ten or so grandchildren, and trying to keep his aging body from falling apart.

Here's the science fiction angle: Multiple universes. Quantum theory. Is Ben going a little bit senile, or has his life suddenly taken an unexplained (but not unwelcome) leap to an unfamiliar reality? Ben does a lot of musing on the nature of science in this book. Be prepared to stop and listen- he's in his late seventies, after all, and he's not moving or thinking too quickly these days. One other neat science fiction element: metallobioforms- mechanical creatures designed to clear away large tracts of land for human exploitation. Occasionally one of these metallobioforms will wander into the wrong place and gnaw off someone's leg, and there is some fear they will evolve to newer "more voracious" forms, but Ben isn't very afraid of them, since they must stick to "oily, electricity-rich" areas like cities, train tracks, gas stations. Like so many other science fictional elements of this book, metallobioforms are only one cool periphery to the story.

Last but not least, magical realism: Toward the End of Time is chock full of fantastical elements that Ben absorbs as no less real than the persistent and demoralizing deterioration of his body. There is also heavy use of symbolism equating the passage of time in the natural world with Ben's aging, and the identification of Ben's young lover with the deer his wife seems bent on exterminating from their backyard. Wikipedia defines one element of magical realism as: "Emotions and the sexuality of the human as a social construct are often developed upon in great detail." Toward the End of Time fulfills this convention and then some. Ben may be old, but he's not dead, yet.

And here's why I loved the book: the language. This is not a plot-driven page-turner. It is a beautiful, meditative, honest look at the human condition. As a speculative fiction fan, I'm so happy Updike chose to set this human drama in the future.

Note: This is not a book for the prudish, nor for anyone unwilling to look death and decay straight in the eye.


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